Mural 31 in Khalili’s “Women, Life, Freedom” series, commemorating the 12 Druze children murdered in Majdal Shams, Israel, by a Hezbollah rocket on July 27, 2024 (while playing soccer), and the thousands of children murdered by the Islamic regime occupying Iran since 2022.

Dallas • World Cup • Children • Visibility • WOMAN, LIFE, FREEDOM

The first banner went up quietly. Strategically. Outside Houston. The next one will not.

On May 29, the same soccer mural that rose outside Houston rose again.

Dallas, Texas. The same children. The same soccer field. The same cry. Only louder.

The first installation moved carefully. This one intends to make noise.

Because, after years of watching Iranian women beaten, imprisoned, silenced, and killed while demanding freedom—after watching men stand beside them and lose freedom and life—the world keeps scrolling.

The world keeps moving. The world keeps forgetting. So this movement asks a painful question:

What finally forces people to look? The heartbreaking hope behind this next installation is brutally simple: If the world will not stop for women—perhaps it will stop for children.

That is what this banner represents.

Children.

Children who should still be alive.

Children who should still be laughing.

Children who should still be playing soccer.

Children who never made it home.

Children buried beneath headlines.

Children buried beneath politics.

Children buried beneath indifference.

At the center stands soccer. Because soccer belongs to the world.

Children buried beneath indifference.

The artist below the mural.

And the world is coming to America. The World Cup is coming. Billions of eyes will turn toward stadiums. Toward trophies. Toward players. Toward competition. Toward entertainment.

This movement asks:

Can those same eyes also see forgotten children? The Dallas installation is not intended to stay in Dallas. The dream is bigger.

Walls donated across America. Billboards. Buildings. Public spaces.

Communities saying:

“Put it here. Put it where people cannot avoid it. Put it where people must stop. Put it where people must ask questions.Put it where people cannot scroll away.”

And standing intentionally at the center of that challenge is President Donald J. Trump.

Directly. Intentionally. Without apology. The banner places him there because this movement is making a direct appeal.

Mr. President, see these children. Stand beside these children. Help America see these children.

Help the world see these children. Anyone who knows President Trump—send this to him.

Show him. Put it in front of him. Force him to look. Because maybe—just maybe—if enough people refuse to look away—leaders with influence will refuse to look away, too.

The hope is direct.

The hope is loud.

The hope is unapologetic.

The hope is that President Trump stands beside this banner. Photographs it. Posts it. Forces millions across the planet to see children they otherwise never would have seen.

The banner identifies President Trump symbolically as the recipient of a FIFA Peace Prize because peace is not merely treaties.

Peace is not merely negotiations.

Peace is whether children live.

Peace is whether children are protected.

Peace is whether innocent lives become visible.

As the World Cup comes to America, another difficult question emerges. Who gets remembered? And who gets erased?

Reports surrounding FIFA and restrictions involving displays of Iran’s Lion and Sun imagery have ignited major debate.

For many Iranians, the Lion and Sun is not politics.

It is memory.

Identity.

History.

Civilization.

A people older than a government.

A people older than a regime.

So another question emerges:

Can the world’s game make room for memory? Can soccer become bigger than entertainment? Can it become witness?Can it become conscience?

Dallas does not intend to whisper. Dallas intends to speak loudly. Dallas intends to ask uncomfortable questions. Dallas intends to force attention.

The first banner moved quietly. The second one does not. Because silence has lasted long enough.

Because children matter.

Because memory matters.

Because indifference kills.

Before politics.

Before arguments.

Before ideology.

They were children. And they deserve to be seen.